Sound breakdown

script → channel count, ADR register, capture list
Peak channel demand
0

Maximum simultaneous channels anywhere in the script — radios, booms and plants. This is the number that sets kit hire and frequency coordination.

Average
0

Mean demand across the scenes that have dialogue. Peak is one scene; this is what a normal day on the schedule looks like, and what the hire has to sustain.

Channel load

 
1

 

Numbered by lines spoken, biggest part first. These numbers are the ones quoted in brackets on each scene’s mic assignment. Click to select — selection drives the filters below.

 

Narrows what is shown on screen only. The channel numbers, the cast list and the downloaded PDF always describe the whole script.

Search

Selected cast

Dialogue

Sound flags

CONFIRMED = read off the script structure or agreed by both passes  ·  LIKELY = inferred from the scene  ·  UNCONFIRMED = keyword match only, check it yourself. Every flag shows the line that triggered it. If the line doesn't support the flag, the flag is wrong.

Nothing is uploaded to a server except scene text sent for the optional Claude read, and only while you have that switched on. Parsing and the PDF report happen on this device.

Cast corrections and actor details are saved in this browser so they survive a reload, keyed on the script title. Names and ages only — never the script. On a shared machine, clear them when you are done.

The day

 

Import the call sheet to have a go at reading it, or just type the scenes. Whatever it finds is only a starting point — everything here is editable, and the order is what changes on the day.

Sound report

 

Seeded from the breakdown, then it is yours. Nothing here is overwritten once you have touched it — a record of what happened is not the tool’s to revise.